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Near-Death Experience Music |
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Gilles Bedard's NDE and Music Research |
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Gilles Bedard
[www.inerson.com]
is a near-death experiencer and
specialist in contemplative music.
From 1982 to 1997, he worked as
journalist, concert, radio and record
producer. His knowledge and expertise,
combined with the thoroughness of
his research, have made him Canada's
New Age music specialist and one
of the genre's most active proponents
on the international scene. Through
the years, Gilles has developed
a unique way of working with music.
After years of research and experimentation,
he has created Inerson, a set of
practices that enable people to
develop their potential through
music. His study of the psycho-spiritual
dimension of death and dying has
taught him that the sacredness of
life is found in the simplest things
of our everyday lives. Since 1990,
Gilles has worked as counsellor
for near-death experiencers and
has given individual and group workshops
and seminars.
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| 1. Gilles
Bedard's Near-Death Experience |
The
doctors at Sacré-Coeur hospital in Cartierville,
Quebec, just north of Montreal, did not
expect Gilles Bédard to live. Ravaged by
a severe intestinal disorder for nearly
five months, the 19-year-old five-foot,
eight-inch Bédard weighed just 75 lb. on
November 17, 1973, when he developed a 105º
fever and lapsed into a coma. A priest administered
last rites, and Bédard's parents were at
his bedside. But he recovered, and in the
months that followed he had vivid recollection
of his glimpse of what he calls an afterlife.
Now 38 and living in Montreal, Bédard told
deputy Chief Researcher Sharon Doyle Driedger
that the experience has affected his life
profoundly, leading him to his present career,
as a producer of New Age music. The following
is the account of his journey beyond death:
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"All
day long, I went in and out of a
coma. Around 2 a.m., the doctors
came and put me on my back to examine
me. Then I saw a round light at
the ceiling. I felt as if I were
looking at the moon. Suddenly, I
couldn't see any walls. Then I saw
myself from the ceiling. I was nine
feet higher than my body and I was
looking down at the people around
me. It was very strange. I had never
experienced anything like it. I
could see myself, the people around
me, the doctors, the nurse, my family,
but I felt no emotion. It was just
like watching television.
"In
the blink of an eye, my vision expanded
and I went into a place like a cosmos
where there were twelve people standing
in a half-circle. They were all
pure white lights and they had no
faces. Beyond them was a tunnel.
I wasn't afraid. I somehow knew
these people although they weren't
family or people I could recognize.
It was as if they were waiting for
me. I asked them what was happening,
and they told me, 'You are not going
to die. You are going back to Earth.
You have something to do.' I asked
them what it was, and as soon as
I asked it was as if I knew the
answer. They said I would know what
I had to do when the time came.
At that moment, I could sense the
future and I realized I had the
choice to do what I wanted to do.
I felt pure peace.
"What
I remembered most is the music I
heard when I was out of my body.
It was fascinating. It was hard
to tell how long the experience
lasted. It could have been five
seconds or half an hour. When I
came back into my body, it felt
very small. But it was OK. I felt
calm, very warm. When I came to,
around 5 a.m., I felt ready for
a party. It was as if nothing had
happened to me. I didn't remember
the experience at that time. But
a month after I left the hospital,
I had another one.
"During
the night, I had a sensation of
falling into a tunnel. Going into
it, I knew I was about to die, but
just before arriving at the end
of the tunnel, I woke up. It was
not a dream. It was real. And it
was then that I remembered the earlier
experience. After I left the hospital
I felt secure, as if I were in a
large protective bubble. I knew
I could cross the street without
looking and not be hurt.
"During
my convalescence, I began to remember
the special sound I had heard on
the other side. It was slow and
calm, like very deep breathing.
At this period, I had a vision.
I was with a sage in the mountains
and we were looking into a valley
and he said, 'You are going to bring
this music to the people.' Then
one day, a few years later, I heard
the special sound on an album by
Steve Roach, a composer of electronic
music. I had always been interested
in music. I played the guitar and
performed in a small rock group
with some friends, but after I discovered
that album I turned to electronic
music.
Later,
in 1988, I met Roach at a New Age
music conference. There I found
out that as a motorcycle driver,
he had had a near-death experience.
He said that when he wrote music,
he tried to re-create the music
he heard when he was in the light.
I kept the experience to myself
for a long time because I didn't
know who to tell and I didn't want
to be considered a freak. I am not
afraid to talk about it now because
people have heard about near-death
experiences and it isn't as shocking.
It happened to me and it changed
my life. If people don't believe
me, that's OK. I'm not a salesman
for near-death experiences.
"I'm
an ordinary guy. I'm into reality.
The near-death experience was not
a mystical experience. It was a
major step that helped in my life.
It opened a new dimension for me,
a new way of thinking. It changed
my relationships with other people,
with friends, with people near me,
because I realized that it's not
other people who create your unhappiness.
My near-death experience opened
me to the possibilities of life.
I know that I am going to live a
long time. But I am not afraid of
death now because I know what it
is. People are afraid to die because
they don't know what's there. But
now I know that life will continue
after death."
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2. Gilles Bedard's Analysis of NDE
Music Based on His NDE |
Gilles Bedard analyzes the
sound her heard from his NDE:
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"Based
on my experience, I would say that
people usually have a romanticized
view of the music heard during near-death
experiences. That's why most people
think first of new age music, harp
or soothing music. From the outside,
it would seem like that, but the
music experienced from within is
deeper and more profound than that.
When I first heard the music of
Tangerine Dream [www.tangerinedream-music.com]
("Mysterious
Semblance at the Strand of Nightmares"
from their CD called "Pheadra")
in 1974, I thought that was almost
it. But ten years later, when I
heard
Structures from Silence from
Steve Roach [www.steveroach.com],
I recognized the sound I heard on
the Other Side. The music of Steve
Roach is by far the most accurate
and closest to the real sound of
the near-death experience. When
you go to the source of that sound,
you then find yourself beyond the
emotional side that we usually associate
with the music on Earth. In my twenty-five
years of research, on the television
and radio programs I was invited
to, I played that music and hundreds
of people 'recognized' this particular
sound. This happened also at the
IANDS
conference.
"The
music of
Constance Demby [www.ConstanceDemby.com],
especially the piece "Celestial
Communion" from her album
Set Free is the musical illustration
of being bathed into the light.
For many of the people who assisted
at my conferences, that piece unfolded
on many occasions, as a souvenir
of the near-death experience for
those who lived one.
"If
you would like to explore the music
of the near-death experience, here
are some suggestions. These are
a part of my workshop Sound
Quest to Omega that recreates
the near-death experience in music.
Each listening has that power, if
I may say so, to unveil forgotten
memories. Each listening takes you
beyond to the Source of the light.
Some people who have never had a
near-death experience and who came
to my workshops, experienced a light
experience through this music similar
to the near-death experience, but
without dying."
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3. A List of Music Approaching the
Sound of the NDE |
Here is a list of music which
Gilles Bedard says approaches the sound
of his near-death experience:
"There is much
music available to give you this feeling
but first you must be aware of the cleansing
and the sound quest to go beyond to the
Source of the light in Sound. You have to
go beyond the esthetic aspect of music to
the source of the power of sound. This is
what I'm doing in the workshops. People
surrendering to the sound will themselves
have a very deep experience.
"While giving
my Inerson workshops over the last 10 years,
I have seen powerful catharses and profound
transformations in people. Some have commented
that the workshop opens a door within them
that not only shuts itself after they’ve
crossed its threshold, but disappears behind,
leading them to follow the call towards
their soul within the sound. And once they
have surrendered to the sound's resonance,
they find the courage and determination
to travel the path of profound transformation
unfolding in front of them, a labyrinth
of choices and consequences.
"What
I share with you through Inerson is a way
to connect yourself, to attune your whole
being to the sound current. Thirty years
ago, I didn’t know what to expect
from the sound, except that there was a
direction, a call to follow. I was drawn
towards that call. Over my years of listening,
I’ve found a way to probe into the
sound, to access and experience sacred inner
realms, allowing myself to be touched by
the unknown, to be surprised by the sound.
The music, or should I rather say, the sound
I heard in my NDE, and which is now an integral
part of my life, is the expression of consciousness,
the manifestation of the Void in the Light,
the Sound Current, the breath of the Universe,
the breath of God.
"I hope that
this music will give you a glimpse of what
I heard in my near-death experience."
Be sure to read the article
NDE and Music Research Conclusions.
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NDE Music
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Phaedra [Audio CD]
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by Tangerine Dream
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Although
Tangerine Dream has released numerous
studio and live recordings, a substantial
number of their fans were introduced
to Tangerine Dream by their film
soundtracks, which total over sixty
and include Sorcerer, Thief, The
Keep, Risky Business, Firestarter,
Legend, Near Dark, Shy People, and
Miracle Mile.Tangerine Dream has
released over one hundred albums
(not counting compilations and fan
releases) over the last four decades.
A project to collect and release
fan concert recordings, known as
the Tangerine Tree, was active from
2002 to 2006.
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Structures from Silence [Audio CD]
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by
Steve Roach
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Steve Roach is a
U.S. composer and performer of ambient,
electronic music and tribal ambient music,
whose recordings are also classified in
the genres of space, drone, and New Age.
Roach is recognized as one of the "leading
innovators of contemporary electronic music.
As Roach's approach to ambient music matured,
he has typically been beatless, although
his rhythmic and trance-based groove and
tribal-ambient releases are nearly as numerous
as his more atmospheric releases. Some recordings
are strictly synthesizer based, whereas
some recordings include ambient guitar experiments,
and other releases cross over with more
ethnic influences.
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Dreamtime Return [Audio CD]
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by
Steve Roach
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Steve Roach plans
on releasing three new collaboration albums,
along with the solo album
Soul Tones which is the first part of
a three-CD project. The second album (Future
Flows) and the third album are timed
releases meant to incorporate the music
into the seasons. Roach was an early proponent
of the Native Australian didgeridoo's use
in ambient music and learned to play it
during his extended trips to Australia during
the 1980s. Later work with Mexican musician
Jorge Reyes would introduce a Prehispanic
element, and these fusions would further
establish Roach as one of the founders of
the tribal-ambient sound.
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Cavern of Sirens [Audio CD ]
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by Steve Roach and Vidna Obmana
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Vidna Obmana
is a pseudonym used by Belgian composer
and ambient musician Dirk Serries. The
name Vidna Obmana, a phrase in Serbian,
literally translates to "optical
illusion" and was chosen by Serries
because he felt it accurately described
the music. Vidna Obmana's music has
often been described as anamorphic and
organic. He uses the techniques of looping
and shaping harmonies, minimizing the
configurations to a few notes. Vidna
Obmana is often cited as one of the
more notable dark ambient musicians.
Along with Steve Roach, Vidna Obmana
has collaborated on several occasions
with artists such as Asmus Tietchens,
Brannan Lane, Capriolo Trifoglio and
Diego Borotti. Some of these collaborations
have become entire projects of their
own, such as
Continuum (collaboration with Bass
Communion) and Principle of Silence
(collaboration with Joris De Backer).
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Set Free: The Definitive Edition [Audio
CD]
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by
Constance Demby
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Constance Demby
is a performing and recording artist, vocalist,
original instrument designer, painter, sculptor,
and multimedia producer. Her Contemporary
Classical Electronic Symphonic Spacemusic
falls into several categories including
ambient or space music. She is best known
for her award winning 1986 album
Novus Magnificat. Constance Demby has
been a featured musician and speaker at
many conferences with other notable authors,
artists and teachers including The Dali
Lama, Josepth Campbell, Depak Chopra George
Lucas, Joseph Campbell, and Gene Roddenberry,
Marianne Williamson, Paul Winter Consort,
Brugh Joy, and David Spangler.
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Duality [Audio CD]
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by
Lisa Gerrard and Pieter Bourke
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Duality is a collaborative
album by Lisa Gerrard and Pieter Bourke
released in 1998. It was Lisa Gerrard's
second post-"Dead
Can Dance" album after "The
Mirror Pool" from 1995. The beginning
of the song "Shadow
Magnet" will sound familiar to
many because it influenced, in part, the
music at the beginning of the
Gladiator soundtrack (music by Hans
Zimmer and Lisa Gerrard). The track "Nadir
(Synchronicity)" was initially
intended for use at the end of that film,
however due to problems with copyright,
a song 'influenced' by this track was used
instead. "Tempest"
and "Sacrifice"
were used for the Insider soundtrack.
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The Book of Secrets [Audio CD]
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by
Loreena McKennitt
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Loreena McKennitt
is a Canadian singer, composer, harpist,
accordionist and pianist who writes, records
and performs world music with Celtic and
Middle Eastern themes. McKennitt is known
for her refined and clear soprano vocals.
She has sold more than 14 million records
worldwide. Her music appeared in the movies
The Santa Clause, Soldier, Jade, Holy Man,
The Mists of Avalon and Tinkerbell; and
in the television series Roar, Due South,
and Full Circle (Women and Spirituality).
In 1998, McKennitt's fiancé Ronald Rees,
his brother Richard and their close friend
Gregory Cook drowned in a boating accident
on Georgian Bay. She was deeply affected
by the event and subsequently founded the
Cook-Rees Memorial Fund for Water Search
and Safety in the same year.
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